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D16 Group Audio Software LuSH-101 v1.1.2
D16 Group Audio Software LuSH-101 v1.1.2
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LuSH-101 is a synthesizer created from modules that can be found in many modern virtual synthesizers, all combined into a single compact and logically intuitive design. However, this basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential.
The multilayer architecture guarantees that both the sound design possibilities and number of unique situations in which LuSH-101 can be used are virtually limitless. Layered sounds can be created simply by assigning the layers to the same MIDI channel; the results can sound as massive as anything imaginable! Assigning the layers to different keyboard zones allows you to create even the most sophisticated splits. Of course, you can always assign the various layers to different MIDI channels for 8-part multitimbral usage. And, virtually any combination of splits, layers, and multitimbrality is possible with just a single instance of LuSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arpeggiator, and a palette of only the finest insert effects, LuSH-101 can push your creativity to unprecedented levels!
Want to express yourself even more? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator's MIDI output can be used as a modulation source, unleashing your creativity to build complex sequences and progressions.
LuSH also comes complete with a powerful built in mixer, complete with layer-independent parametric equalizers and compressors. Three send effects in superb quality allow you to put the finishing touches on the final output.
LuSH plays perfectly in any genre. For funkier styles, the Gate may be used instead of the VCA for instant staccato sounds full of energy and rhythmic pep. When creating Ambient or Chillout, longer attack and release times along with the smooth, rich spaciousness of the built-in reverb are enough to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your thing? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead to the sickest, nastiest, and most novel vibrations—your sound system won't know what hit it (and you won't, either), so watch out! No matter what you want to play or how you want to use it, LuSH will get the job done.
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Sound like never before
Drum library vol 1 zip weed. D16 Group officially launched in 2006 with the aim of producing high quality virtual instruments and effects. LuSH-101 is a synthesizer created from modules that can be found in many modern virtual synthesizers, all combined into a single compact and logically intuitive. Free D16 Group Audio Software.
LuSH-101’s uniquely accurate sound has been achieved only through experience: countless hours have been spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention paid to every component in the signal path—not just the approximating the overall output. We deliver to you a synthesizer built on oscillators of uncompromising quality, filters with incredible natural warmth and character, and effects each at the absolute top of their class.
Innovative oscillator algorithms developed by D16 make LuSH-101 sound exactly like a sampled hardware analog synth—but without the sampling! There is no aliasing in the oscillators, even at 22kHz from the note’s base frequency. Vibrato and pitch bend do not affect the spectral quality of the oscillators, allowing LuSH-101 to sound completely authentic under all conditions.
A problem present in many virtual analogue synths is that the harmonics of generated sound waves start to disappear well below (and up to) the Nyquist frequency, causing the them to sound dull and lacking in clarity and punch. LuSH-101 was designed from the ground up to avoid this, resulting in a very rich and clear sound, even from the simplest waveforms!
Resonance is constant across the entire frequency domain, which makes the filter sound totally authentic, especially when controlled via the envelopes or an LFO. Turning resonance to maximum and turning all the oscillators down will produce a pure and pleasant sine wave as the filter is driven into self-oscillation, exactly as with true analog gear. Of course, keyboard tracking can also be applied to the filter for a smooth, adjustable cutoff gradient across the keyboard range.
Full Features
Multi-core support for computers equipped with multi-core processors for better performance.
Multilayer architecture with 8 independent Layers (per-layer properties)
Up to 32 voices of polyphony
MIDI channel
Keyboard zone
Audio output
Synthesis
Oscillators (Saw, PWM, Noise), with Supersaw and HardSync options
Sub Oscillator (5 waveforms)
Self-oscillating, high-quality, multimode filter
Passive high-pass filter
Up to 8 voice unison with Tune, Cutoff and Panorama spread
2 LFOs with optional tempo synchronization and re-triggering modes (Trig, Gate, Arpe, None)
2 envelopes with re-triggering modes (Trig, Gate, LFO1, LFO2)
Insert effect (selectable algorithms):
Chorus
String Ensemble
Phaser
Flanger
Distortion
Vowel filter
Decimator
Tremolo
Modulation Matrix (modulation sources):
Note velocity
Pitch bend
Modulation wheel
Expression pedal
Sustain pedal
Keyboard’s aftertouch
Note pitch
Arpeggiator’s output
Arpeggiator
Step sequencer (Gate and Tie per step)
6 Run modes (Up, Down, Up and Down, Down and Up, Random, Manual)
Chord mode (Gater)
3 Hold modes (Normal, Toggle, Trigger)
Shuffle
Tempo multiplier (Full notes, Dotted notes, Triplets)
Mixer
Parametric EQs (1 per channel strip)
Compressors (1 per channel strip)
Up to 11 freely-assignable stereo output busses per instance
Send FX’s (Reverb, Chorus, Delay with tempo sync)
Presets
Over 1600 factory presets
5 preset categories (whole synth, single layer, Arpeggiator, Reverb, Delay)
Advanced, file-based preset browser
Miscellaneous
Advanced MIDI learn
Parameter mapping for VST / AU automation
Selectable GUI size
System requirements
OS: Windows XP, Windows Vista, Windows 7
CPU: 2.8 Ghz with SSE (i7 based 3.7 GHz recommended)
RAM: 1 GB (1.5 GB recommended)
Software: VST compatible host application (32bit or 64bit)
It's not a standalone program so you need a host application to use it.
INSTALLATION
• You need WinRAR to extract the rar's files.
• Uninstall previous versions.
• Install.
• Use the keygen to generate a keyfile,
or pre generated keyfile
• Register with the keyfile.
• That's it! Done.
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Версия: 1.1.0
Разработчик: D16 Group
Издатель: Slate Digital
Сайт разработчика: http://d16.pl/repeater/
Сайт издателя: http://slatedigital.com/repeater-delay/
Формат: VST
Разрядность: 32bit, 64bit
Таблэтка: ПрисутствуетСистемные требования:
Windows OS: Windows 7 or higher (32 & 64-bit)
Mac OS: OSX 10.7 or higher (32 & 64-bit) [Intel]
AAX: ProTools 12+Описание:
Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs.
There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!
All-in-one
Introducing Repeater - A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:
● Cassette Tape - A model of an early 80's Japanese cassette tape deck. We'd call this one mid-fi
● Coopy Cube - An early 70's delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option.
● Digital 42 - One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals.
● Digital 42 x 2 - The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums.
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● Digital Delay - A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone.
● DM-2 - An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths.
● Mellow Delay - A smooth, subdued delay that is based on several vintage analog topologies.
● Memory Guy - Lush analog delay with fat vintage tone.
● Mirky Delay - Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.
● New Radio - Delay tone with FM radio style scooped hi-fi tone. Try it on vocals.
● Old Radio - Delay tone with AM radio style grainy lo-fi tone.
● Pitchy Delays - (3 models) - Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect.
These can also be used with tight delays with Spread option for widening and thickening effects.
● Plexy Echo - Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums.
● Space Delay - Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars.
● Tape Delay Ancient - An extremely old 1940's style tape delay tone.
● Tape Delay Classic - Early 60's style tape delay.
● Tape Delay Modern - Hi-fi tape delay with warm and lush tone.
● Tape Delay Vintage - 70's style tape tone, slightly grainy but warm.
● Telephone 1 - Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix.
● Telephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone.
● TelRay - The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.
Two is better than one
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At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You'll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.
D16 Group Repeater - моделирование винтажных дилеев в сотрудничестве с Slate Digital,
на основе более сложного варианта дилея D16 Group - Sigmund,
с целью большей лаконичности интерфейса, для скорейшего получения результата, - без углубления в сложность Sigmund.
D16 Group's Repeater has been updated to version 1.1.0.
Fixed - Wrong I/O configuration when channel mode changed on bus - Logic Pro
Fixed - GUI freeze when tweaking with controls - OS X ElCapitan
Fixed - Parameter flickering with linked parameters automation - Pro Tools
Fixed - Disabling host's automation - Ableton Live
Fixed - State parameters' automation (Phase Inv. L / R, P. Pong, Analog Feedback).
Changed - Improvements in linked parameters automation and linkage.
Fixed - GUI freeze when tweaking with controls - OS X ElCapitan
Fixed - Parameter flickering with linked parameters automation - Pro Tools
Fixed - Disabling host's automation - Ableton Live
Fixed - State parameters' automation (Phase Inv. L / R, P. Pong, Analog Feedback).
Changed - Improvements in linked parameters automation and linkage.
1. Install the software.
2. Run keygen and select a product.
3. Generate license and save the file in a convenient place for you.
4. Turn off the Internet.
5. Start D16_Hosts_Patch.cmd.
6. Open VST, AAX or AU plug-in in your DAW and activate.
7.Enjoy!
2. Run keygen and select a product.
3. Generate license and save the file in a convenient place for you.
4. Turn off the Internet.
5. Start D16_Hosts_Patch.cmd.
6. Open VST, AAX or AU plug-in in your DAW and activate.
7.Enjoy!